This form of EQ is particularly suitable for precision removal of constant tones and for brick-wall filtering, and is as much at home in the audio forensic laboratory as it is in the mastering studio or post-production suite. It provides high Qs across the spectrum, is totally free of pre-echo, and offers the minimum latency for a given response. It is also the EQ of choice when trying to compensate for inappropriate applications of analogue EQ.

The CEDAR Cambridge precision EQ system provides 64-bit, 96kHz equalisation. It not only sounds superb and is glitch-free when you modify EQs in real-time, but it is fully automated, and the simplified user-interface allows you to create and modify multi-channel EQs with ease.

Twelve filters are provided for each channel, comprising two low frequency shelving filters, two high frequency shelving filters, and eight 'Q' parametric filters. You can activate each of these individually, and use the mouse to 'drag' the frequency, gain, Q or shelving order of each. This is extremely fast and intuitive, and gives the user maximum control with the minimum of fuss.

The EQ offers additional facilities such as linear and logarithmic displays, zooming, and CEDAR's unique Markers that let you transfer frequency information between CEDAR Cambridge processes.

Every parameter with the CEDAR Cambridge EQ is automated, so you can create and save complex equalisation changes, using Timecode to recall them as required. This makes the system ideal for the most demanding audio and post-production environments, where audio quality combined with speed of use and powerful automation are all absolute requirements.

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